Album Review: Mike Posner- Keep Going

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What does it mean to find yourself? How do you go about it, and where do you look? And what aspect of yourself do you consider the true self? These are the types of questions that Mike Posner has been searching for answers to over the past year.

In his journey to find himself, he has put out some new music, grew out his bead, and walked the entire distance across the United States. A drastic change from previous characteristics associated with his personality and brand.

His latest release, Keep Going, is a charismatic recalling of the last year, and a powerful affirmation for understanding what it means to be Mike Posner. And really what it means to be human. Released On October 9, 2019, just weeks before finishing the walk across America, Keep Going is an intimate look at a human being searching for meaning.

The tape opens with “Come Home,” an uplifting ode to conquering demons and celebrating accomplishments. Posner paints a vivid picture of the personality he created over the first part of his career. A picture that is not a pretty sight. “I used to put a target on every cute face/ and keep plan-b pills in my suitcase,” Posner raps. In order to make a conscious change, awareness to the problem must be understood. Posner elaborates on some of these problems in depth on Keep Going. An attempt at tearing down the old and rebuilding anew, Posner utilizes music’s unique ability to be both cathartic and personal.

A key part of actualizing ones potential is recognizing the inherent ability within. Whether accomplished through self-analysis or told by a third-party, relishing in accomplishments is essential to understanding faults. “Noahs Ark” is a beautiful example of Posner celebrating life.

As the tape progresses, Posner takes a stab at some more lighthearted records. The introduction of some big name features also brings a different aesthetic to the middle part of the project. Wiz Khalifa assists on the bouncy “Prince Akeem” and Ty Dolla $ign provides some additional vocals on “Look What I’ve Become.” Elohim provides some needed variety into the project with the female provided chorus on “Gods Lottery.” Solid appearances from Talib Kweli and Logic were also well placed.

Introspection is the common thread laced within the project. Posner is practicing self-reflection within each track and the honesty and realness truly shine through. This is displayed in full on two of the stand out tracks on the mixtape. “Slow it Down” and “Nothing is Wrong,” are two of the most sincere pieces of art produced this year.

This honesty is exemplified to an even higher level on the track “Amen,” in which Posner reveals some extremely intimate moments within his life. This second half of the album is where this newly transformed version of Mike Posner takes the spotlight. This is a glimpse of the changed human being that is produced from walking over 2800 miles on foot and persevering through some of the hardest moments of his life.

Coming into yourself is clearly a deeply personal realization that follows no specific timeline. Posner has officially found the path to a much different future. The world is eager to see where it may take him.


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